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A note to Current Students and Parents

Sep 1
7 min read

First, thank you for trusting me to be part of your or your child’s musical journey. Teaching music is not something I take lightly. Every student who enters my studio brings their own personality, goals, strengths, challenges, interests, and way of learning. My job is not to force everyone through the exact same process. My job is to help each student grow in a way that is developmentally appropriate, sustainable, and meaningful to them. I want lessons to be a place where students can learn, make mistakes, ask questions, build confidence, and discover what music can offer them.

Esperanza playing flute in a practice room, seen in a mirror with blurred hands in the foreground and a music stand.

Every Student’s Lessons Will Look Different

The way I teach a sixteen-year-old is not the same way I teach a eight-year-old.

Even the way I teach one eight-year-old may be completely different from the way I teach another. Students move through different developmental stages, and those stages affect attention, communication, coordination, emotional regulation, and how they understand new ideas.


I am fully aware that a eight-year-old may not focus for thirty minutes straight during every lesson. I expect attention to shift, and I continually work on finding new ways to redirect students back to music. That may mean changing activities, moving around the room, using a game, taking a quick break, approaching the concept differently, or deciding that we have done enough with one skill for that day. This does not mean the lesson is unstructured; it means I am teaching the student who is actually in front of me instead of the imaginary student a method book assumes is there.


Why I Choose Certain Materials

Students and families are more than welcome to explore the free lesson plans, blogs, and educational resources available through my website. However, I generally recommend following the specific materials and lesson plan I provide during lessons-- I choose particular exercises, songs, books, and activities for a reason. My lesson plan is intended to:


  • Address a specific technical issue

  • Reinforce something we discussed during the lesson

  • Match the student’s developmental stage

  • Prepare the student for a future concept

  • Build confidence before introducing something harder

  • Support the student’s current attention span and learning style


I often spend time outside of lessons looking for materials, adapting activities, researching teaching methods, and speaking with colleagues about different approaches. Sometimes I also change the language or presentation of an advanced concept so that a student can understand it.


Families are always welcome to ask for more resources. However, adding too many worksheets, apps, books, videos, or exercises at once can create confusion for the student. Especially when a student is just starting out. Less is often more.


My Role During Lessons

Part of hiring a teacher is allowing that teacher to use their training, experience, and knowledge of the student to guide the learning process. I will take the lead during lessons. That means I will decide how to structure our time, when to move forward, when to revisit something, and which materials are most appropriate for the student. I will consider what the student needs in the moment obviously because it is their lesson. So I usually do frequent check ins for the student to get an idea of the lessons. I usually request that parents stay out of the lessons either physically or if you want to sit in, I just ask that you are silent during the duration of the lesson. Because again, this is about the student and they need all the focused time they can get. I will absolutely listen to any thoughts outside the lesson time, or we can end a bit early to discuss any concerns.


Progress, Accountability, and Safe Mistakes

Students will have strong weeks and difficult weeks. Sometimes a skill will seem secure during one lesson and suddenly feel confusing during the next. Sometimes a student will make visible progress very quickly. Other times, they may be developing skills that are not immediately obvious. Progress may look like:


  • Playing a new note

  • Improving posture

  • Stopping a bad habit

  • Remembering to count

  • Recovering after a mistake

  • Asking a question

  • Trying something despite feeling nervous

  • Practicing more consistently

  • Becoming more comfortable receiving feedback

  • Staying engaged for a little longer

  • Learning how to solve a problem independently

Glowing neon sign on black background reads Go up and never stop with an orange arrow pointing right.

Not every lesson will produce a dramatic breakthrough, and that is okay.

I also believe students should be accountable for their learning. They will sometimes need to practice material they do not enjoy. This can be particularly difficult for little ones and some of my neurodivergent students because music becomes progressively more nuanced. I will do my best to make the work engaging and manageable, but sometimes we simply have to get through the tough stuff. Students will need to repeat skills, correct mistakes, and work through things that feel difficult or boring. I will never shame a student for missing an assignment or struggling with a concept. But I will acknowledge when something needs more work. And that can be disappointing for the student sometimes, but this is part of the social-emotional aspect of learning.


I want students to understand that making a mistake is not dangerous. Music lessons should challenge students, but challenge and harm are not the same thing. I can maintain expectations while also being compassionate. I will correct technique, and that can be a touchy subject for students when they are first starting out. Students are human beings, and sometimes they desire perfection—but it takes time to develop a skill.


Practice at Home & How Parents Can Help

Practice is an important part of learning music, but practice needs to be realistic.

The amount and type of practice I recommend will depend on the student’s age, level, schedule, goals, and ability to work independently. For younger students, a few focused minutes on a regular basis may be more useful than a long practice session filled with frustration. Consistency is usually more helpful than attempting to complete one enormous practice session immediately before the next lesson.

Students should focus on the assignments I give them rather than trying to play everything in the book. A simple practice session might include:


  • Setting up the instrument correctly

  • Reviewing one familiar skill

  • Working on one small, challenging section

  • Playing something enjoyable

  • Writing down a question for the next lesson


The goal during a practice session is to help students remember, reinforce, and gradually build on what we do together. Parents, I know this can be a confusing venture because you signed them up for music lessons—but I do rely on you a lot because I only meet with students for thirty to sixty minutes each week. For many students, parents can help simply by encouraging them to practice daily, or according to whatever schedule we establish. Some students, especially depending on their age, may need more support through:


  • Creating a regular time and place for practice

  • Helping them set up their space

  • Making sure materials are easy to find

  • Helping younger students read the assignment

  • Celebrating their effort

  • Letting me know when an assignment is causing frustration

  • Avoiding comparisons with siblings, classmates, or other musicians

  • Reminding students that mistakes are part of learning


There are many things you can do as a parent to help a student get set up without needing to become their music teacher.


Communication

Please communicate with me when something important changes. That might include:


  • An injury or physical discomfort

  • A major schedule change

  • A new diagnosis or accommodation

  • A difficult situation at school or home

  • A change in medication that affects attention or energy

  • A performance, audition, or deadline

  • Ongoing frustration with a particular assignment

  • A shift in the student’s goals or interests


Families do not need to disclose anything they are uncomfortable sharing. However, relevant context can help me respond with more care and make better decisions during lessons. Students are also encouraged to communicate directly with me. Learning how to ask for clarification, express a concern, or explain what support they need is part of their development.

Hand squeezing smartphone, spilling white liquid over blue background with scattered fish-shaped pieces.

Technology Is Helpful, but It Is Not the Teacher

I may recommend apps, recordings, videos, online exercises, or other digital resources. These can be valuable tools. But that is all they are: tools. Technology cannot replace the observation and feedback that happen during a lesson. The internet cannot always troubleshoot a student’s particular issue or adjust its explanation based on their response.


My Goal Is Bigger Than Perfect Notes

Of course, I want students to improve their musical prowess. But music lessons are more than just being perfect. Music lessons teach a lot of values and soft skills that just help:


  • Patience

  • Perseverance

  • Creativity

  • Communication

  • Discipline

  • Problem-solving

  • Time management

  • Attention to detail

  • Openness to feedback

  • Stress management

  • Confidence

  • Drive


A lot of the time, the most important growth taking place has very little to do with the music.


Joy is also part of the lesson.


I want students to experience the satisfaction of playing something they once thought was impossible.

I want them to discover sounds and music they love.

I want them to feel proud of their progress.

I want them to understand that music can remain part of their lives even if they never pursue it professionally.


My job is to help them build the tools they need for the musical life they want.


What We can Expect from one Another

You can expect me to:


  • Prepare thoughtfully for lessons

  • Tailor instruction to the student

  • Communicate clearly and respectfully

  • Maintain appropriate expectations

  • Adjust when an approach is not working

  • Recommend materials with intention

  • Encourage questions and curiosity

  • Address harmful technical habits

  • Support the student without shaming them

  • Continue learning and improving as an educator


I will not be perfect. There may be times when I need to change an approach, correct a misunderstanding, or learn more about how to support a particular student. But I will take the work seriously.


In return, I ask that students and families:


  • Arrive prepared and on time

  • Bring the required instrument and materials

  • Communicate schedule changes in advanced

  • Make a good-faith effort between lessons

  • Ask questions when something is unclear

  • Treat lessons, instruments, and other people with respect

  • Share concerns before they become larger problems

  • Be patient with the learning process

  • Most importantly, I ask that we work together.


A student’s growth is supported by communication between the student, family, and teacher.


A Final Note

My purpose as a teacher is to help each student achieve their own version of success. That may mean preparing for an audition, joining an ensemble, building confidence, developing a lifelong hobby, or simply learning how to make a sound they enjoy. There is no single correct way to benefit from music.


Thank you for allowing me to be part of the process.


I do not take your trust for granted, and I look forward to continuing to help each student grow into the musician—and person—they are becoming.

 
 
 

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